The Social Notwork


Monday 25 April – 8pm

Tuesday 26 April  – 8pm

Wednesday 27 April – 8pm

Thursday 28 April – 8pm

Friday 29 April  – 8pm

Saturday 30 April – 4pm and 8pm

A comedy about mums, bums and social media by Sharon Tracey Wright, directed by Adam Wollerton. The Narky Knickers Theatre production nails the zeitgeist, bringing you all the belly laughs from refusing to go belly up. Whether they’re fuming at a funeral or pushing a poodle up a tree in a panic, these feisty friends fight to survive redundancy in a very funny and truly topical tale for our times.

‘…this cleverly-scripted, tenderly observed, life-affirming comedy…’ – The Good Life

Abigail Halley headshot

 Abigail Halley

 Abigail trained at Italia Conti and Exeter University. A versatile character actress, she has performed in many plays. Recently, she played a tour guide for Crow Theatre in their immersive production of Jack The Ripper’s London. Favourites include Pygmalion (Galleon Theatre Company at Greenwich Playhouse), Alice In Wonderland (Giddy Kipper at The Union Theatre) and Pinocchio (Wheelhouse Productions). Abigail has also worked extensively with Quantum Theatre and Powerhouse Theatre Company where her performances have included Pretty Ugly and Our Tudors – in which she played 15 characters!

Her most recent film and television work includes playing the younger Violet Kray in Legend (directed by Brian Helgeland), Stephen Poliakoff’s BBC2 drama Dancing On The Edge, the feature film Scopia for Flynn Films, Dirty Tricks for Stealing Candy Productions and playing the mum in Rattling Stick’s You Must Be Hank Marvin advert for Mattessons.

Abigail has also worked extensively in the corporate sector filming for The Media Trust on behalf of Thames Valley Police in Safe As Houses directed by Patrick Fleming, Transportation of Dangerous Goods for New Planet Films and for The Rocket Science Group in No Bull for the NHS to name but a few.

Abigail also enjoys doing voiceover work and she has recently voiced a TV commercial for Babybel as well as the Rice Krispies Multi-Grain Shapes website. She has also voiced documentaries, animations, computer game characters and televised puppets.

As well as acting Abigail has directed plays and facilitated workshops for many organisations including Italia Conti, Powerhouse, H2O, and Quantum.


Malcolm Jeffries

Malcolm made his name in the late ‘80s as a model and teen pin-up thanks to magazines such as Just Seventeen and Mizz. He hit UK TV screens in the late ‘90s as a presenter for shows such as ITV’s Massive, part of the channel’s Saturday morning output for teenage viewers. Massive was BAFTA nominated and won a Royal Television Society Award for best entertainment programme. Malcolm has fronted shows on MTV, CITV and ITV2 and has also worked extensively behind the camera in production.

In 2014 he followed his long-term dream to perform on stage and undertook formal training as an actor at Rose Bruford College of Theatre and Performance. He studied classical theatre, performing as Lomov in Chekov’s The Proposal, in Shakespeare’s Richard III and as Jason in Euripides’ Medea. His modern theatre study included playing five roles in the verbatim theatre piece The Laramie Project: Ten Years Later, Guildenstern in Tom Stoppard’s Rosencrantz and Guildenstern are Dead and Patsy in Jez Butterworth’s The Winterling. He graduated in 2016.

The Social Notwork is Malcolm’s professional stage debut.

Ruth Keeling headshot

Ruth Keeling 

Ruth trained at The Poor School and the London Repertory Academy.

Her theatre work includes A Night Out, The School For Scandal and The Merchant Of Venice (all The Workhouse Theatre), Knickerbocker Glories (the Union Theatre), Seance for KimBo Theatre and Her Naked Skin for the Royal National Theatre, plus three UK No1 tours of Hot Flush! The Musical.

Her film and television work includes Life Of Riley, Lee Nelson’s Well Good Show, EastEnders, Casualty and Doctors (guest lead) for the BBC; Peepshow and Hollyoaks Later for Channel 4; and films Sparks and Ashes.

Shereen Roushbaiani Headshot

Shereen Roushbaiani

Shereen Roushbaiani trained at Rose Bruford College of Theatre and Performance. Her theatrical credits include The Crucible, Me and My Friend and Always The Bride. Screen credits include Midsomer Murders, Alleycats, NHS Better Left Unsaid and feature film Adult Content. She most recently won rave reviews for her performance in Pride and Prejudice Panto at The Cockpit Theatre.

Shereen is currently seeking representation.

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Adam Wollerton- Director 

Adam graduated from West End Stage School in 2010 and studied for an MA in Classical Theatre at Kingston University. He has a Grade 8 Musical Theatre Singing Qualification with London College of Music and is the resident arts critic for VADA magazine.

Recent credits include Grim: A New Musical (Charing Cross Theatre, Rose Theatre Kingston); The Daily Fail: The Musical (Waterloo East, IYAF 2013); Full Fat (cornerHOUSE 2013); Lady From The Sea (Rose Theatre, 2012); Dream (IYAF 2012); Four By Four (Camden Fringe, 2012) and Disney’s Camp Rock: The Musical (Eclipse Theatre, 2011).

Alongside The Social Notwork, Adam is working on his new 2016 musical LoveStuck.

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Sharon Tracey Wright- Writer 

 Sharon is an old journalist and a new playwright. She founded Narky Knickers Theatre in 2014.

Sharon’s comedy Full Fat, directed by Adam Wollerton, was a winner of the oneACTS 2013 Festival of New Writing at the cornerHOUSE theatre in South West London.

Her play Friller, inspired by the fearless Edwardian daredevil Lily Cove, was a sell-out at Haworth Festival 2014 and is due for a new run in Autumn 2016.

For more about her work in the day job (journalist) and in the dream job (playwright) see